On Your Own Again. In which our hero finds himself alone and feeling strange on the far side of some major change.

Shutout. In which our hero attempts to close it off and start it over.

We Came Through. In which our hero feels confident that he's made it.

Wait Until Dark. In which our hero escapes the disappointment of the day into thoughts of the dark.

Mathilde. In which our hero's former lover, in one form or another, returns to him.

The World's Strongest Man. In which our hero recognizes a fatal limitation.

Duchess. In which our hero recognizes the place of his lover in his life and of his in theirs.

Darkness. In which our hero finds himself in the darkness and wonders where to go.

Jackie. In which our hero reminisces fondly on his past while considering his future.

The Girls From The Streets. In which our hero forsakes his future for tonight.

The Lady Came From Baltimore. In which our hero's fatal flaw changes his plans yet again.

Best Of Both Worlds. In which our hero struggles under a cruel ultimatum: it's one or the other, not both.

The Electrician. In which our hero slows down to check the discrepancy between where he is and where he wants to be.

30 Century Man. In which our hero decides he wants neither of the options presented but a third in suspension.

Rosary. In which our hero sees what needs to change and also his future, strung out like beads.

We Could Be Flying. In which our hero's attitude toward his future hits a high point.

Thanks For Chicago, Mr James. In which our hero says so long and thanks for all the memories.

Lights Of Cincinatti. In which our hero recalls what it's like returning home and also what it's like heading out alone.

Rhymes Of Goodbye. In which our hero reconciles with what he wanted, what he got, what he learned and where he's headed.

If She Walked Into My Life. In which our hero reconsiders the lover he thinks he wants to leave.

Blanket Roll Blues. In which our hero makes his move.